Jean-Charles Francois.
Writing without representation, and unreadable notation..
Perspectives of New Music, 30(1):6(15), Winter 1992.
subject: Modern music has outgrown notation. While the computer is used to
write down music with accuracy never before achieved, the range of modern
sounds has surpassed the relevance of the computer...
John Cage.
Notations.
Something Else Press, New York, 1969.
Music, Manuscripts, Facsimiles. Facsimiles of holographs from the Foundation
for Contemporary Performance Arts, with text by 269 composers, but rearranged
using chance operations.,V).
Suzanne Eggleston.
Notes, volume 51.
Dec 1994.
A list of new music periodicals covering the period Jun.-Dec. 1994. Includes
aims, formats and a description of the contents of each listed periodical.
Includes Music Notation News.
David Fuller.
The Journal of Musicology, volume 7.
Winter 1989.
Notes and inegales unjoined: defending a definition. (written-out inequalities
in music notation).
Archibald Jacob.
Musical handwriting : or, How to put music on paper : A handbook for
all musicians, professional and amateur.
Oxford University Press, London, 1947.
subject: Musical notation.
Harold M Johnson.
How to write music manuscript an exercise-method handbook for the music
student, copyist, arranger, composer, teacher.
Carl Fischer, Inc., New York, 1946.
subject: Musical notation --Handbooks, manuals.
O Kinkeldey.
Music and music printing in incunabula.
Papers of the Bibliographical Society of America, xxvi:89--118, 1932.
subject: history of music printing and engraving.
Jeffrey Lependorf.
?, volume 27.
Summer 1989.
Contemporary notation for the shakuhachi: a primer for composers. (Tradition
and Renewal in the Music of Japan).
G.A Marco.
The Earliest Music Printers of Continental Europe: a Checklist of
Facsimiles Illustrating Their Work.
Charlottesville, Virginia, 1962.
subject: history of music printing and engraving.
A Novello.
Some Account of the Methods of Musick Printing, with Specimens of the
Various Sizes of Moveable Types and of Other Matters.
London, 1847.
subject: history of music printing and engraving.
Richard Rastall.
Music & Letters, volume 74.
November 1993.
Equal Temperament Music Notation: The Ailler-Brennink Chromatic Notation.
Results and Conclusions of the Music Notation Refor by the Chroma Foundation
(book reviews).
Leo Treitler.
The Journal of Musicology, volume 10.
Spring 1992.
The unwritten and written transmission, of medieval chant and the start-up of
musical notation. Notational practice developed in medieval music to address
the written tradition for chant which interacted with the unwritten vocal
tradition.
M.L West.
Music & Letters, volume 75.
May 1994.
The Babylonian musical notation and the Hurrian melodic texts. A new way of
deciphering the ancient Babylonian musical notation.
Emmanuel Wintermitz.
Musical Autographs from Monteverdi to Hindemith.
Princeton University Press, Princeton, 1955.
subject: history of music printing and engraving.
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