Next: An orchestral part, Previous: How LilyPond files work, Up: Putting it all together
In the previous section, How LilyPond files work,
we saw the general organization of LilyPond input
files. But we seemed to skip over the most important
part: how do we figure out what to write after
\score
?
We didn't skip over it at all. The big mystery is simply that there is no mystery. This line explains it all:
A \score
must begin with a single music expression.
You may find it useful to review Music expressions explained. In that section, we saw how to build big music expressions from small pieces – we started from notes, then chords, etc. Now we're going to start from a big music expression and work our way down.
\score { { % this brace begins the overall music expression \new GrandStaff << insert the whole score of a Wagner opera in here >> } % this brace ends the overall music expression \layout { } }
A whole Wagner opera would easily double the length of
this manual, so let's just do a singer and piano. We
don't need a GrandStaff
for this ensemble, so we
shall remove it. We do need a singer and a piano,
though.
\score { { << \new Staff = "singer" << >> \new PianoStaff = piano << >> >> } \layout { } }
Remember that we use <<
and >>
to show
simultaneous music. And we definitely want to show
the vocal part and piano part at the same time!
\score { { << \new Staff = "singer" << \new Voice = "vocal" { } >> \new Lyrics \lyricsto vocal \new Lyrics { } \new PianoStaff = "piano" << \new Staff = "upper" { } \new Staff = "lower" { } >> >> } \layout { } }
Now we have a lot more details. We have the singer's
staff: it contains a Voice
(in LilyPond, this
term refers to a set of notes, not necessarily vocal
notes – for example, a violin generally plays one
voice) and some lyrics. We also have a piano staff:
it contains an upper staff (right hand) and a lower
staff (left hand).
At this stage, we could start filling in notes. Inside
the curly braces next to \new Voice = vocal
,
we could start writing
\relative c'' { a4 b c d }
But if we did that, the \score
section would
get pretty long, and it would be harder to understand
what was happening. So let's use identifiers (or
variables) instead.
melody = { } text = { } upper = { } lower = { } \score { { << \new Staff = "singer" << \new Voice = "vocal" { \melody } >> \new Lyrics \lyricsto vocal \new Lyrics { \text } \new PianoStaff = "piano" << \new Staff = "upper" { \upper } \new Staff = "lower" { \lower } >> >> } \layout { } }
Remember that you can use almost any name you like. The limitations on identifier names are detailed in File structure.
When writing a \score
section, or when reading
one, just take it slowly and carefully. Start with
the outer layer, then work on each smaller
layer. It also really helps to be strict with
indentation – make sure that each item on the same
layer starts on the same horizontal position in your
text editor!
Next: An orchestral part, Previous: How LilyPond files work, Up: Putting it all together
This page is for LilyPond-2.10.33 (stable-branch).
Other languages: French.